travel, modern and traditional, around the world, understand the culture, historical monuments, natural scenery, the charm of tourism, marine tourism, mountain tourism, popular tourist attractions
I'm on my way back to New York from teaching a multimedia class at the Foundry Photojournalism Workshop in Istanbul, and thought it opportune to announce that my first photo~expedition in 2011 will be to Gujarat, India. I have yet to pinpoint the dates, but I am leaning towards January 23 to February 6, 2011.
The Travel Photographer's In Search of Sufis photo~expedition will focus on the visual exploration of the syncretism which exists between Islam (especially Sufism) and Hinduism. Syncretism is the combination of disparate or contrary beliefs, often fusing practices of various traditional philosophies.
This expedition will travel in the southern peninsula of Gujarat, and photograph at the various Sufi shrines/darghas as well as Hindu temples, where a multitude of pilgrims arrive to supplicate. It will also include a foray in the tribal belt of Kutch to document the unaltered ways of life of the area, to include religious rituals exclusive to Gujarat.
The maximum number of participants is 5 (excluding myself), and participation will be based on a brief portfolio review. This photo~expedition is not for first-timers to India, is for self-starters and requires an interest in Indian religious traditions. It will include coaching in multimedia techniques and story-telling.
The photo~expedition will commence and end in Ahmedabad, which is well served by flights from Delhi and Mumbai. Hotel accommodations will range from 4-star hotels in the larger cities/towns to whatever is available in the more remote areas.
Details of the photo~expedition and its itinerary will initially be announced to my newsletter recipients in a few days, and then to the general public via this blog.
This photo~expedition is inspired by the remarkable work of my friend Asim Rafiqui as per his The Idea of India project.
Due to the distance between the historic Sultanahmet district and Kadikoy where the Foundry Photojournalism Workshop was based, I wasn't able to photograph much of Istanbul...except for some grab shots with my new GF1.
However, some of us did manage to take some time and attend a folkloric dance program in Sultanahmet, where we were allowed to photograph at will.
The above photograph was made at the Hocapasha Cultural Center in Eminönü during a wonderful performance. The dance was under black light or UV light...and was minimally color corrected.
I used my Canon 5D Mark II and a 70-200 2.8 Canon lens....and yes, my Foundry class attendees; it's a vertical!!!
Here's another lovely audio slideshow by Chico Sanchez, a freelance photographer based in Mexico City. Chico worked in Venezuela, collaborating with Reuters, European Pressphoto Agency, Agencia EFE, and freelances for various newspapers and magazines.
This time, Chico documents the spiritual side of Flamenco, whose mystical, almost religious origins, are almost forgotten by the admirers of this genre of music and dance. Chico is well placed to do so...he's a native Andalucian, a musician and was involved in flamenco himself.
I would have loved to see a flip book effect in Chico's work...various shots of a dancer (or singer for that matter)...and arranged in such a way that playing the slideshow would have animated these almost-identical stills.
The well-known flamenco style of music and dance is emblematic to the culture of Spain, although it is actually native to only one region: Andalusia.
Gypsy, Sephardic, and especially Arabic musical influences are found in flamenco. For me, one of the best flamenco singers is Diego Ramón Jiménez Salazar, known as El Cigala, whose album Lagrima Negas fusing Cuban rhythms and flamenco vocals, made it an international success.
Well, what is there to say except that I had a blast! The Foundry Photojournalism Workshop has ended with a marathon session to show the work completed by some 130-odd photographers who joined it. It was a visual overload of photographs and multimedia projects, and was followed by the customary beer bash at a nearby bar.
My Introduction To Multimedia class was attended by a cross-section of the nationalities represented at the Workshop, and I was extremely pleased to work with Brenda Bravo, Pierre Claquin, Yagmar Dolkun, David Hagerman, Pedro Gomes, Jeroen de Kluiver and Roubina Margossian. The class also benefited enormously from Anamitra Chakladar's expertise in audio editing and multimedia. He patiently fine tuned some of the class's audio tracks...thank you, Anamitra!! The class's output ranged from black & white documentary work to travel and cultural projects.
There's no other way to describe it, but the success of the Foundry Photojournalism Workshop -whilst based on the unstinting generosity of the instructors and its staff- is due to Eric Beecroft's vision, tenacity, enthusiasm and his being just Eric.
Next year? South America...perhaps Argentina, perhaps Brazil. Incha'allah.
The top photo was made during my presenting a couple of personal projects at the start of the Workshop, while the bottom photo was during a class with Yagmar and Brenda looking on.
June 18-19: Buenos Aires-Lima-Bogota (6,000km, 1 stop-over, 8 hours)
After a delayed start (we were supposed to fly on the 17th in the early morning, but our oldest daughter Edie got sick so we had to postpone our flight for 36 hours), and a mostly pleasant flight via Lima, we arrived in Bogota around 01.00am Saturday morning, June 19.
Getting off the plane and walking through the airport, one still feels the remainders of Colombia’s recent past; military are predominantly present, you feel you are being watched and controls are thorough. The lady at the money exchange is most definitely not the nicest person in the world (but who would be sitting there at that time of night) and in order to change 60 USD, one needs to fill in a form as if applying for a US visa, including hotel address, personal signature and fingerprints.
But that is just one side of things. Overall, people are friendly, very friendly. Most Colombians we encountered are genuinely happy with the fact foreigners come to see their country now; that they can show what they have. They do not only try to make you feel at home, or make sure you are safe; they are open and direct, honest and reality-driven. And on top of that, they are funny. Colombian humor, though black at times, seems to be what has pulled this nation and its people through its darker recent times. I am sure we will have a great time here, this time, and all the times in the future when we will come back to visit, and set up our office.
Colombia makes me think of Peru 15 years ago. Leaving behind a long period of civil unrest, the country is cautiously opening up its doors to the outside. People go out of their way to make sure you know you can travel here, that you should be careful, but not worry too much about safety; that the safety situation these days is similar to that of most countries in the continent. Hotels in Bogota still have small warning pamphlets in the rooms and the streets are crowded with police and military, but the atmosphere is joyful, busy, aimed forward. It is obvious this country is ready for a new era, an era of peace and connectivity with the rest of the world.
The capital, no, the whole country seems to be under construction; roads are blocked everywhere, not because of safety regulations, but because they are being repaired, widened, improved. Colombians are traveling outside the safety of their immediate environment and most of the streets in Bogota, and the main roads in many parts of surrounding Colombia, are teeming with traffic. All the work being done means delays at present, but soon traffic will be able to flow freely through a country that has been waiting to be explored for so long.
June 19: Bogota – Villa de Leyva (180km, 4hs)
We drove To Villa de Leyva yesterday afternoon, some 4 hours by car from Bogota. Only 180km separate the two towns, and most of it is (going to be) 4-lane highway, but due to uncountable road construction sites and the above mentioned traffic we hit an average of 50kmph, more or less. No problem at all of course; we are exploring Colombia, at last! First impression is that Colombia will make an excellent driving country, but for now this will be restricted. Car rental companies are mainly small and operate locally only; drop off fees do not exist or are forbiddingly high. Next to that hardly anybody speaks English and the recently introduced Satellite Navigation Systems do not have the maps of the country properly loaded yet. This will all change soon, no doubt, but for now we feel Colombia is a great country to visit either in a group with a bilingual tour conductor, or individually with a private guide and driver.
Villa de Leyva is a colonial dream town set in magical, cloud-forest-covered mountains and surrounded by numerous national parks home to geological, natural and historical treasures, most of them still inaccessible to the average visitor.We stay in the quaint, colonial style Hotel La Candelaria, on the northern end of town, an old mansion recently converted into this beautiful, 8-room boutique hotel.
June 20, Villa de Leyva
The main thing that made this trip, and our ten-year dream of opening an office here, feasible is Colombia’s newly found safety, wrought by leaving president, Alvaro Uribe, and his government of the past eight years. Today is Election Day and we talk to local people in the town of Villa de Leyva about who they will vote for.
Something truly phenomenal is happening here in Colombia. After decades of complete political uncertainty and lack of proper leadership, eight-years ago Alvaro Uribe came along, and ever since has been busy putting the country back on the geo-political map. Today, thanks to an absolutely fantastic, worldwide rebranding campaign, foreigners know Colombia as the country where “the only risk is that you’ll want to stay”, something opposite to its reputation in the recent past. Traveling here I can understand why this slogan was chosen. However, it would never have gotten hold had the country not been truly reorganized, safety returned to its streets and hope and trust restored in its people. I came to Colombia for the first time in 1992, at the end of the same 4-month trip that took me to Peru as well. Both countries were in similar circumstances then. Peru emerged from terrorism and uncertainty in 1995-96, when the Shining Path was largely silenced and its leader, Abimael Guzman, captured, by then president Alberto Fujimori. From that moment on, Peru slowly opened itself up to the outside world and, as mentioned before, our experiences there in those days have many similarities to what we see and hear in Colombia today.
Another impressive feat for a country so freshly back on track is the fact that today Colombians have the option to choose between two outstanding candidates for the Presidency: former Defense Minister and Uribe’s favorite, Juan Manuel Santos, and former Mayor of Bogota Antanas Mockus, preferred by the country’s students. Both candidates have a formidable political agenda, are very well prepared for the job and most countries’ people in this continent should consider themselves proud and very lucky to have the opportunity to choose only one of them. How Colombia managed to produce the political strength and vigor it shows in its current president and the two candidates to follow him, requires a deep political analysis, that has no place (yet?) in this story, but the mere fact earns Colombia and its people a lot of credit and respect. It also shows that Colombians are done with the past and ready for change, ready for a future that is in their hands - exciting times, for sure.
June 21, Villa de Leyva – Bogota
Pfff, seems the time difference is affecting the kids more than normally. They keep waking up around 4.30-5am, which even when corrected to their natural clocks (2 hours later), is very, very early. Must be the clean mountain air or something… Bueno, at least it gives me some time to write until breakfast is served. Let me finish where I left off yesterday:
The end of Election Day showed another interesting feature of Colombian thinking. After Mr. Mockus had initially sprung up in the polls to potentially win the elections, the first round showed a favorable position for Mr. Santos, something that was confirmed when the majority of the votes were accounted for and he was elected as Colombia’s next President. Today is “ley seca”; it is forbidden to drink alcohol in public from 24 hours before until right after the elections, so our waiter is serving our beer in teacups and hiding the bottles. He says: “I am a student and Mockus is by far my favorite because he is a former teacher himself and has vouched to bring education back to the top ranks of the political agenda. But today it is just a little early for Mr. Mockus to take the stand, we are still living uncertain times and safety needs to be restored completely before we can start thinking about further reforms. Mr. Santos has the better cards to make sure that Colombia becomes a safe and stable nation. Without safety we are nowhere; without safety we cannot move on. That is why I chose Santos today; I want my country to be safe. Next round will hopefully be for Mr. Mockus.”
For me this clarifies what is happening here; Colombian people are not only done with the past and ready for the future to be in their hands; they are also very carefully handling that new-found responsibility, and moving cautiously to make sure that today will truly mark the continuance of change for the better, and that a solid base will be created to build that future upon. We have seen many bad examples of political manipulation for ourselves over the past 15 years, so being here and listening to the people, seeing how they truly take up the task of making sure they get the right representation for this time, feels like a breath of fresh air. This country is getting ready for a bright future and we sure want to be here when it happens.
Well, after a few days of intermittent internet service at our hotel in Kadikoy, Istanbul, it seems we're back to full time availability.
The Foundry Photojournalism Workshop has started in full blast, and it's amazing to see so many various nationalities amongst the students. Different languages different styles perhaps, but all connected by a common denominator: photography.
A splendid cast of instructors (some veterans of the workshop, others new), bringing their personal styles into the mix, and surely there'll be awesome projects and results. My class has met a couple of times already (n fact, I must rush to give my second class this morning), and projects range from documenting traditional religious rituals to the local hip-hop scene. So it's bound to be an exciting few days.
The above photograph was made while waiting for our ferry crossing from Eminonu (European side) to Kadikoy.
The WSJ's Photo Journal has featured the above photograph by Deepak Sharma (AP) of Pakistani pilgrims carrying an offering of embroidered cloth (which I believe is called kiswa) to cover the tomb of Sufi saint Khawaja Moinuddin Chisti on the anniversary of his birth in Ajmer, India.
I should have been there!!! My kind of event!
Shaikh Khawaja Syed Muhammad Moinuddin Chisti was the most famous Sufi saint of the Chishti Order of the Indian Subcontinent. He introduced and established the order in South Asia, and was succeeded by various notable saints such as Nizzam Uddin Auliya.
I've never checked on this, but Khawaja in Egyptian Arabic means "foreigner", and was used as a title for all Greek and Italian residents (as an example) in Egypt, so I'm not sure if there's a connection or not. Wikipedia defines Khawaja as a title used by South Asians, which is possibly related to Khoja as well.
Here's a 6 minutes trailer from a multimedia documentary "Forgotten on the Roof of the World" by photographer Matthieu Paley and anthropologist Ted Callahan that tells the story of a little-known tribe of Kirghiz nomads in one of earth’s most remote regions - Afghanistan’s High Pamirs mountains.
The full documentary will be screened by Matthieu at the Royal Geographical Society (Hong Kong) on Tuesday 22nd of June.
Matthieu Paley is an Asia-based (currently based in Hong Kong) photographer specializing in editorial and documentary photography. His work appeared in Geo, National Geographic, Newsweek, Time, Outside, Discovery and various others.
I don't have any Think Tank products (except for its see through bag for cables and stuff), but I must say that it's one of the companies that seems to be in lock-step with the industry's evolution with multimedia.
Here is it's latest effort in the multimedia field which is the Multimedia DSLR Buyers Guide. It's essentially a fluff piece about various products that can be used by photographers as additional tools for story-telling purposes. While some of the information is pretty basic, I found it quite useful when I got to the Accessories and Wired It Up sections. Naturally, Think Tank also lists its various bags as "must-haves" in the guide, and deservedly so.
As readers of this blog know, I do not advertise products of any kind, unless I've tried and liked them. I haven't tried Think Tank bags but I like what it's doing with its product line. Otherwise, I have no relationship of any sort with it.
I'm on my way to attend the Foundry Photojournalism Workshop in Istanbul, where I'm giving a class on multimedia (Introduction To Multimedia). The class will adopt a simulated under pressure work environment where class participants have to shoot, edit and present their photographs and audio tracks to me, to eventually produce a publishable 3-5 minutes audio slideshow.
I'm stopping over in London for a couple of nights, then catching a flight to Attaturk Airport on the 19th June.
I will try to post on this trip as much as I can...perhaps even post some photographs of the workshop's going-ons. I'm taking my new Panasonic Lumix GF1 especially for that purpose. I'm also hoping to shoot for a personal project in Istanbul.
The New York Times' LENS blog features a poignant photo essay on opium addiction in Afghanistan by the late A.K. Kimoto. The photo essay is in black & white; dark and brooding as befits such a subject matter. See it...I highly recommend it, along with its accompanying article.
Kimoto was a 32-year-old Japanese photographer based in Bangkok, who died in March while traveling to Australia.
He spent years photographing families in the remote northeastern mountains of Afghanistan, controlled by the Taliban. He roamed remote settlements in Badakhshan, Afghanistan, to find out why so many of the inhabitants (even the young) had become addicted to opium. As Emily Anne Epstein explains in the piece: "The poverty in this region is so harsh that parents blow opium smoke into their children’s noses to soothe the pangs of hunger."
A.K. Kimoto wrote:
“I offer to transport the mother and child to a clinic. One of the elders cuts me off before I can finish my thought. He smiles gently as he tells me that the child would never survive such a journey in the cold rain, and anyway, this way of life and death have been repeated for centuries in these mountains.”
Coincidentally, the New York Times reported yesterday that the United States has discovered nearly "$1 trillion" in untapped mineral deposits in Afghanistan, which translates into approximately $35,000 for every inhabitant of the country. Naturally, massive investments will be required to mine these deposits, but in any event there's little chance that the poor of Badakhshan will see their lives improve from this eventual wealth. Cronyism, and venal corruption are endemic to the region...and only those with the power and connections will reap the benefits.
Trevor Snapp is a self-taught photographer with degrees in anthropology and African studies, and his work is syndicated with Corbis and Millennium Images. His clients include Stern, National Geographic Traveler, BBC, Time.com, Chicago Tribune, Marie Calire and others. He has also worked for a variety of NGOs such as Heifer International, Gates Foundation, and Intrahealth in Africa.
Now based in Kampala, Trevor photographed La Santa Muerte in Mexico, among other galleries of Central Amercia
The cult of Santa Muerte is unusual because it's the cult of the drug lords, the dispossessed, and criminals. There are many shrines to Santa Muerte in the capital city, but Tepito is where the most popular shrines are. Tepito is an infamous barrio and its tough reputation dates back to pre-Hispanic times. The neighborhood is a warren of mean streets and alleys, lined with auto-body shops and small stores. It's here that the prostitutes, drug dealers and petty thieves come to pay their respect to the saint. It's also where the common folk; housewives, cab drivers and street vendors come to make their offerings...tequila bottles, candles, money and flowers.
The gallery strikes a chord with me since I photographed in Tepito in 2008, along with two other photographers, when we were within a hair's breadth of being mugged.
One of my favorite photojournalists, Veronique de Vigurie, was featured on The Daily Beast blog in an article/interview titled The Bravest Photographer.
Veronique de Viguerie is based in Paris and, at the age of only 32, has already won prestigious awards including Canon’s coveted Female Photojournalist of the Year Award in 2006. Her photographs regularly appear in Newsweek, The New York Times Magazine, Marie-Claire, and The Guardian.
She's known for her empathy with her subjects, and that trait got her in hot water in 2008 when she photographed a group of Taliban fighters who had killed 10 French soldiers. Paris-Match published her photographs, and her critics accused her being used to spread Taliban propaganda.
I recall writing about this, and suggesting that if anyone was to be accused of anything, it should have been the Paris-Match editors.
The article quotes Régis Le Sommier, deputy editor in chief of Paris Match, that he believes de Viguerie is "one of the most daring and promising photographers of her generation."
Someone came up with the timely idea to publish a photography blog titled the Greater Middle East Photo blog, with the commendable intent to provide space for photography from a region which is sadly under represented.
This new blog hopes to be a facilitator of great photos, great photographers, and great minds discussing photography from the greater Middle East. I hope so as well. The Middle East has been lagging behind in terms of photography, and this blog will perhaps be an added venue to showcase more of its talent.
The photograph above is by Manal Al Dowayan; a photographer who lived for most of her life in a semi-enclosed compound in Daharan in the Eastern Province of Saudi Arabia. Much of her work is about female identity in the conservative Muslim Middle East. The photograph above is titled "I am an educator", while the writing on the slate reads "ignorance is darkness" repeated many times. Her work is featured on the Greater Middle East Photo blog.
Note: My apologies for the shorter blog posts in the coming few days as I'm behind schedule in preparing my class material and presentations for the Foundry Photojournalism Workshop in Istanbul this coming week.
Here's a highly recommended 16-minute long movie documentary of Joey L.'s (and his team) excursion into the land of the Mentawai. It starts with the 10-hour crowded cargo ferry ride from Sumatra across the strait to the islands of the Mentawai, approximately 150 kilometers off the Sumatran coast.
The excursion took 2 years to plan and prepare, and we are treated to a behind the scenes look at the photo shoots along with snippets of the Mentawai's life. The amount of gear that Joey and his team had to carry was quite significant. This is not a destination where you show up with a couple of cameras and flashes. They had to lug heavy lighting equipment, large reflectors and lightboxes, cameras, lenses, video equipment, generators, food and so forth.
The most visible Mentawai tribesmen in the documentary are Bajak Tarason and Bajak Tolkot, who seem to have a pessimistic view of the Menatawai's future. They address the interference of the Indonesian government in their ancient tribal customs, and of the Christian missionaries who seek to change their belief system.
It's Bajak Tolkot who invites the world to visit the Menatawai islands, to witness their way of life before it's too late. I really hope very few people take him on this invitation. I realize that an influx of tourists could bring a much needed infusion of prosperity to the Mentawai, but it would also accelerate the demise of their way of life, or turn them into performers; wearing their loin cloths and brandishing their arrows for the tourists' cameras.
In the documentary, I've seen young Mentawai wearing graphic t-shirts, including one of Donald Duck, posing next to a traditional Mentawai tribesmen. So the infiltration has already started, and not before too long, the baseball caps will appear as well. It's a shame that similar cultures and traditional ways of life can so swiftly disappear.
My thanks to Cathy Scholl for the heads-up on this movie.
The Rubin Museum of Art in New York City is showing the photographs of Tom Wool in an exhibition In The Shadow of Everest, which runs until July 26, 2010.
Coming from a fashion photography background, Tom Wool has devoted himself to work for humanitarian organizations. Using a medium format Hasselblad, he photographed Tibet's Rongbuk Valley and its inhabitants in May 2001.
The valley stretches about 30 miles from the base of Mount Everest on the north side, and is home to some 3,000 Tibetans. It's considered sacred, with deep religious connotations to the Tibetans. The valley is home to the Rongbuk Monastery, the highest of any in the world at 17,000 feet above sea level.
I've featured so much work from various photographers, and seen so many photographs of the Nagas and pilgrims here and elsewhere, it's as if I've been there myself. I'm pretty sure these photographers who were at the Kumbh will either recognize each others work, or recognize the subjects.
However, here's the work of Fons Rademakers who's a physicist working at CERN (European Organization for Nuclear Research) in Geneva, where the largest particle accelerator is operated and where the World Wide Web began as a project. Fons leads a software project that provides programs for data processing and analysis, but started his connection with photography when 12 years old, and regards it as his passion next to physics and computing.
I would recommend to Fons that he ought to consider moving his many other photo galleries from SmugMug to his own website. They're certainly worth showing in a more professional medium.
John Batdorff II is the son of two avid photographers, and it was only natural that he was "infected by" the same passion. Based in Chicago and in Ennis (Montana), John developed his craft early on by photographing for his family's newspaper, and enhanced it by specializing in landscape and travel photography.
His work has been exhibited in museums and featured in various publications.
While John's galleries include one of India, I'm bucking my own trend this time and featuring his work of Peru.
Yes, I caved and got an Voigtlander 40mm optical viewfinder for my Panasonic GF1. It's well suited to the Panasonic 20mm 1.7 lens.
But this is not about the viewfinder or how much better the GF1 feels with it...it's about the above 'minimalist' gear which is an option when I'm planning an assignment or a photo trip. I can have all this in a small Domke bag, and have spare room for a book, an audio recorder, an itouch and lots more.
Imagine the bliss of having all one's gear in a small and light bag!!!
Here's a statistic: The combined weight of the GF1, the Acer netbook and a WD Passport hard drive (from their individual listed specifications) is 3.8lbs. The combined weight of a Canon 5D Mark II and a 24-70mm 2.8 lens is 3.9lbs.
Am I contemplating chucking out the DSLRs and lenses? Not at all. What I now have available to me is equipment which, depending on the nature and duration of the trip and/or assignment, is a viable alternative.
The easy one first: the WD Passport 750gb is small and worked well so far. It may not be as tough as a Lacie Rugged, but it's functional, provides ample storage and is inexpensive.
The not-so-easy: I've used the Acer netbook on 3 or more photo expeditions, and it also did okay. However, its Windows XP software is a major irritant, and its Atom processor is really sluggish. I seldom have it process any image files, and just use it to save my RAW files on its 160gb hard drive and on the WD Passport. An eventual alternative to the Acer could be an iPad, if and when it allows connectivity to an external HD.
Another not-so-easy: The GF1 is a delight to use, and the quality of its images is almost as good as from an entry-level DSLR....but almost is the key word. Having said that, it's still a lovely tool to use on walk-abouts, for environmental portraits and as a back-up. It'll be very useful in situations where photography may be frowned upon (like religious rituals) or where one doesn't want to be labeled as a professional photographer.
I'll be taking the GF1 (along with my Canon gear) to Istanbul in a couple of weeks, and will further test its walk-"aboutability".
Here's another feature from the recent Kumbh Mela which was held earlier this year in Haridwar, North India.
This body of work by photographer Mark Thomas is titled Kumbh Mela 2010, and is mainly of portraits he made during that religious event.
Mark Thomas is a photojournalist and a multimedia expert, whose work appeared in various publications, including The Boston Globe and National Geographic News. He professes a deep passion for documenting and photographing India.
His Kumbh Mela 2010 gallery consists of portraits of naga babas, the ash-covered sadhus who belong to the Shaivite sect, as well as pilgrims.
Mark's website has other Indian-centric galleries such as Faces of Kashi, Visions of Kashi and Child Labor.
"I respond more to fashion and fine-art, carrying these fields and variables in photojournalism." -Jehad Nga
The British Journal of Photography (which revamped its website) published an interview with Jehad Nga, one of my favorite photographers. This blog featured many posts on Nga, and his distinctive chiaroscuro style.
Titled From Kansas To Nairobi, the recent interview sheds a light on Nga's decision to join the Institute for Artist Management instead of VII and Magnum.
Nga first visited the Middle East in 2001 spending months in different medical volunteering positions in Gaza. When he interned at Magnum Photos in 2002, he was also training to become an Emergency Medical Technician. But since 2004, when he moved to East Africa, he's been dedicating most of his time to photography, working regularly for the New York Times.
