The Travel Photographer's 2010 Favorite Image Makers (Part 2)

Following yesterday's post, here are the second 5 of the 10 travel and/or documentary photographers (listed in no particular order) whose work was posted on this blog, and whose photographs were my favorites during 2010.

As I said, deciding which is a visual favorite amongst the hundreds of photographers I've shown here in this blog is a highly subjective and personal choice...nothing more or less. Every single photographer whose work was featured on my blog is worthy of praise and admiration.

1. Jamie Williams:

Photo © Jamie Williams- All Rights Reserved

This photograph is part of Jamie Williams' Tibet series, and is featured in his gorgeous website. I posted on Jamie Williams here.

2. Kieron Nelson:

Photo © Kieron Nelson-All Rights Reserved

This photograph of a Zhuang fisherman is part of Kieron's Guangxi gallery. I posted on Kieron's Vanishing Cultures photographs here.

3. Andrea Pistolesi:

Photo © Andrea Pistolesi-All Rights Reserved

This photograph of a Cambodian dancer is part of Andrea's gallery of Cambodia. I had featured Andrea's reportage work on the Rohingya refugees here.

4. Diego Verges:

Photo © Diego Verges-All Rights Reserved

This photograph is one of the latest of Diego's projects which are featured on his website. I featured Diego's work in a number of posts...this particular one is here.

5. Jørgen Johanson:

Photo © Jørgen Johanson-All Rights Reserved

Although I posted Jørgen's work on Tibet, I also encourage you to visit the rest of his galleries, including the one of Ethiopia, where I've seen the above photograph.

The Travel Photographer's 2010 Favorite Image Makers (Part 1)

First, let me render unto Caesar what is Caesar’s...this post was suggested by travel photographer Paolo Evangelista. He suggested I ought to post some of my favorite photographers whose work I've featured on this blog over the year....great idea!

So here's the first 5 of the 10 travel and/or documentary photographers (listed in no particular order) whose work was posted on this blog, and whose photographs were my favorites during 2010. The remainder (Part 2) will be posted tomorrow.

As I always say to whoever is interested; deciding which is a visual favorite amongst the hundreds of photographers I've shown here in this blog is a highly subjective and personal choice...nothing more or less. Every single photographer whose work was featured on my blog is worthy of praise and admiration.

I decided against grouping these photographs in a slideshow, so this is going to be a rather vertically long post:

1. Matjaz Krivic:

Photo © Matjaz Krivic-All Rights Reserved

This photograph is part of Matjaz's gallery of the Pir-e Shaliar festival in the Kurdish area of Iran. I posted Matjaz's work here.

2. Raphael Nguyen:

Photo © Raphael Nguyen-All Rights Reserved

This photograph is part of Raphael's gallery of super saturated photographs of Hoi An. I posted Raphael's work here.

3. Chico Sanchez:

Photo © Chico Sanchez-All Rights Reserved

This photograph is part of Chico Sanchez's audio-slideshow of Flamenco dancers. I posed Chico's work here.

4. Jehad Nga:

Photo © Jehad Nga-All Rights Reserved

This photograph is part of Jehad's Turkana exhibit at the Bonni Benrubi Gallery in NYC, and was also included in the Daily Telegraph article on his photographs. I had posted Jehad's work a number of times here.

5. Richard Murai:

Photo © Richard Murai-All Rights Reserved

This photograph is by Richard Murai, who recently won the Travel Photographer of the Year contest in the World in Motion category. I had posted an image by Richard Murai here.

Soham Gupta: The Down & Outs of Howrath

Photo © Soham Gupta-All Rights Reserved

 Following my post of yesterday on my forthcoming Kolkata Cult of Durga Photo-Expedition, I thought it timely to feature Soham Gupta's work on the homeless of Howrah. Soham is a Kolkata-based humanitarian photographer, who specializes in documenting social injustice and works with disadvantaged children. He started as a writer, but later realized that he had the ability to tell stories in a better way, through photographs.

The Down & Outs of Howrah is a haunting photo-essay on some of the destitute who live near the world-famous Howrah Railway Station. Howrah is situated on the west bank of the Hooghly River, and is linked to Kolkata by the famous Howrah Bridge. It is a twin city of Kolkata, and is the second largest city of West Bengal in terms of both area and population. Its railway station is the busiest and second-oldest station, and one of the largest railway complexes in India.

Soham tells us that most of these homeless individuals are drug users, and have developed mental disorders. Some of them carry the HIV virus because of shared syringes.

I encourage you to visit his website, and explore his other galleries. He documents the Bishnois, the Rajasthani gypsies and the Pushkar Fair. I consider his edgy and high contrast black & white photograph to be influenced by what I call the "Bangladeshi" school. You be the judge.

Wendy Marijnissen: A Year In Pakistan

Based in Antwerp, Wendy Marijnissen is a freelance documentary photographer from Belgium, who has a career in looking for, and reporting on, stories with a social context. She completed a long term reportage in Israel and Palestine, using music to show a different part of daily life in this stressful and violent region. She's currently working on a new project about childbirth and maternal mortality in Pakistan, of which some of her compelling photographs can be seen in the above movie.

Another of Wendy's compelling photo essays is on the dai. A dai (or dayah in Arabic) is a traditional midwife or birth attendant in the Middle East, and Pakistan. Midwifery skills are usually passed on from generation to generation and most practitioners have had no formal training.

The unhygienic conditions in which the dai work, their lack of education and the delayed referral to hospitals in case of complications are the major cause for the high maternal mortality rate in Pakistan.

Tatiana Cardeal: Ancient China

Photo © Tatiana Cardeal-All Rights Reserved

Tatiana Cardeal is a photographer, a visual artist (and a dreamer). She's a Brazilian independent photographer based in Sao Paulo, who spent her early career as an art director and graphic designer for international magazines. In 2003, she shifted her focus to photography and started to document social, cultural and human right issues where she made her mark.

Her particular interest is in South American indigenous people, but she just featured really terrific photographs of China in this portfolio which she titled Ancient China. I suspect that it's brand new as some of its captions are yet incomplete.

Clients and publications of her images include work with Amnesty International, Childhood Foundation, OXFAM International, Fundación AVINA, The UN Institute for Disarmament Research, Forum Syd, World Pulse and the medias The Independent, WOZ newspaper, National Geographic Channel, Deutsche Welle, and the magazines The New Internationalist, Courrier International, Max, Plenty, Tomorrow, Oryx In-Flight, AFAR, WIENERIN, Annabelle,The Big Issue and YES!

Jeroens Toirkens: Nomads

Photo © Jeroens Toirlens-All Rights Reserved

 Jeroen Toirkens is a Dutch freelance photographer who studied at the Royal Academy of Fine Arts in The Hague. His work mainly consists documentary photography for various clients like NGO’s and governmental institutions in health care and infrastructure. but he also initiated a project called Nomadslife, in which he documents the life of nomadic peoples on the Northern Hemisphere.

His website features a number of galleries of nomads in Kyrgyzstan, Turkey, Finland, Russia, Mongolia, Morocco and Greenland. These small nomadic cultures have unfamiliar names such as the Dukha,  Khalkh, Yoruk, Altai and Nenets while others such as the Inuits, Berbers, Kazakh and Sami are better known.

I liked the photographs of the Dukha, a small culture of reindeer herders living in northern Mongolia. Only 44 Dukha families remain, totaling somewhere between 200 and 400 people. They ride, breed, milk, and live off reindeer. Their way of life is endangered and they survive largely by selling their crafts to tourists and riding their domesticated reindeer.

Female Imams In China

Here's a multimedia feature on Female Imams in China by Sharron Lovell, a freelance photographer currently based between Tel Aviv and Shanghai, and represented by Polaris. She prefers storytelling over single images, and has covered a number of issues in China from HIV/Aids, Islam and internal migration.

Sharron also completed assignments on Afghanistan’s first elections and the commercial sex caste in Pakistan. Her work was featured in National Geographic, The Guardian, Le Monde, Newsweek, Global Post, Politiken and various UNICEF campaigns.

NPR informs us that China has an estimated 21 million Muslims, who have developed their own set of Islamic practices with Chinese characteristics. The biggest difference is the development of independent women's mosques with female imams, something scholars who have researched the issue say is unique to China. In most of the Muslim world, women pray behind a partition or in a separate room, but in the same mosque as men.

It seems the Qur'an does not address this issue, and it's debatable whether the practice in the Arab world is reflective of true Islam, and not the result of patriarchal (misogynist) interpretations of religious texts.

Saiful Huq Omi: Interview

Screen Capture Courtesy World Press Photo

Saiful Huq Omi is a Bangladeshi photojournalist, whose photos appeared in The New York Times, Newsweek, Time and Asian Photography, among others. His work has been exhibited in galleries from Zimbabwe and Russia to Japan and his home country. He received a number of awards, including the All Roads National Geographic Award, and an emerging photographers grant from the Open Society Institute.

I thought his recent interview with the World Press Photo ** was one of the most honest I've seen in a long time. Saiful Huq spoke candidly, and tells his interlocutor something which resonates with many emerging photographers in the world...

"...the world has seen us through the eyes of white photographers from the west.."

Well said, Saiful Huq! That's true, but these days are now gone, never to return. It's now the time for local photographers to show us their cultures, their countries and their creativity...as indeed you and many others like you have already done...and will continue to do.

His Rohingya project gained him a grant from the Magnum Foundation Emergency Fund. He is represented by Polaris Images, and published his first photo book, Heroes Never Die - Tales of Political Violence in Bangladesh, in 2006.

** (The direct link may redirect you to the main World Press photo website. If so, you'll have to navigate to its multimedia library and then to "Meet its Participants")

Via Duckrabbit.

Marco di Lauro: Italian Traditions

Photo © Marco Di Lauro-All Rights Reserved

I did feature Marco Di Lauro's work previously on this blog, but he recently updated his website, and boy...what a website it is!!! It's a great way to start off the week.

For a long time, I felt no urge to click on any of his galleries...the website's multimedia introduction of large sized powerful photographs and audio clips kept me mesmerized for quite a while...and it will do that to you too. There's a lot of Ken Burns effect: not my favorite at all but very effective here.

I perused Marco's galleries, and particularly liked his compelling Italian Traditions feature which documents the various medieval festivals and practices still celebrated in Italy today.

For instance, the Carnival of Venice was originally devised as a social equalizer, allowing the poor, under the safety of elaborate masks, to belittle the rich at least once a year...and the Palio di Siena, an exciting horse race which is held and governed by rules since 1644...and the intriguing annual Procession of the Snakes held in Cocullo when the statue of the patron saint, San Domenico, is paraded covered with live snakes.

An engrossing collection of documentary photographs which I encourage you to visit and admire.

Paul Patrick: African Witches

Photo © Paul Patrick-All Rights Reserved

People in eastern, southern, and western Africa generally believe in witches, both male and female, and Paul Patrick, a Norwegian photojournalist, was able to document them in Ghana. He started traveling at the age of 16 in search of stories from Europe, India, Nepal, China, Ghana, Burkina Faso and Morocco.

Frenzy and hysteria about witches still grip the African mind, and witchcraft evokes fear, hatred and suspicion among Africans. Africans believe that any misfortune, whether accidents, deaths, diseases, infertility or child-birth difficulties, business failures to the male and female witches. Those accused of witchcraft are expelled from their homes, and forced to survive in the streets, in the bush, or in makeshift camps...and even killed.

You'll find the captions under each of Patrick's photographs in his gallery Witch Village are descriptive and informative...and provide background on the circumstances that caused for these women to be considered witches.

Gali Tibbon: Jerusalem

Photo © Gali Tibbon-All Rights Reserved

I like Gali Tibbon's work a lot, and her focus on faith-related reportage resonates with me. I found her interview (below) to showcase her images much better than on her website. She's an independent photographer based in Jerusalem, with over a decade of experience in photojournalism in the Middle East. Her work has taken her on assignments in Turkey, Cuba, Egypt, Jordan, Ethiopia, China, Spain and Ukraine.

Her work documents religion, focusing on faith through pilgrimage and rituals, and documenting the various Christian denominations in Jerusalem's Holy Sepulcher, baptism in the Jordan River, the ancient Samaritans, Ethiopian Christianity and pilgrimages across Europe.

It's with pleasure that I watched this interview with Gali on the Canon Professional Network during which she discusses her work.


A must-see!!

Charles Pertwee: The Khumbu

Photo © Charles Pertwee-All Rights Reserved

Charles Pertwee is a photojournalist, known for his reportage in crisis stricken locations such as Banda Aceh and Afghanistan. He graduated from the School of Oriental and African Studies in London with a degree in the History of East Asia, and took up photography soon after graduation. He has since worked for such diverse clients as The New York Times, Wired, CNN Traveller, Marie Claire, Universal Music and Nike. He's currently based in SIngapore. 

His galleries are all worthy of praise, but the two that appealed to me the most are of his work of The Khumbu (in black & white) and of Myanmar (Burma).

The Khumbu is located in northeastern Nepal, and the famous Tengboche Buddhist monastery is there. Tengboche is the largest gompa of the region.

VII: Franco Pagetti: Afghanistan's Agony

The exciting VII The Magazine features Afghanistan' Agony, the multimedia work of Franco Pagetti which combines movies, stills in both color and black & white.

Although I'm getting tired of war stories and its imagery, Pagetti manages to infuse this work with his own personality as when he says (I paraphrase) in his Italian accent"...the only thing a photographer really wants...more than life, more than sex...more than anything...is to be invisible." Brilliant!

This multimedia piece provides a very realistic of what Afghanistan must be...it merges color stills with black & white images (which, in my view, are the best of the lot), aerial shots and movie footage.

Overall a very well done production, but if I had to point out a niggling issue, I'd say the decision to include the audio introduction of a muezzin's call to prayers is a lazy one. The Taliban, the insurgents, and the rest of the "bad guys" are fighting us because of a bunch of reasons. Take your pick: because we're occupying their country, because we're defending an unrepresentative corrupt regime, because we're getting in the way of various longstanding tribal and/or ethnic power struggles, and because we're tying to eradicate poppy cultivation...subsistence to many Afghan farmers.

It would have been smarter to find another audio clip to give the project the required sense of the place...perhaps a Pashto song, perhaps some ambient audio of Kabul's market chatter. Some readers might see this as nit-picking, but it's not. Avoiding religious cliches is a much more intelligent production effort and in this case, keeps it honest and neutral as it should be.

Franco Pagetti has covered the conflict in Iraq since January 2003. He has been a news photographer since 1994, and most of his recent work has involved conflict situations. His non-conflict news photography has included assignments in India, the Vatican City, Cambodia, Laos, Indonesia, Saudi Arabia and his native Italy. In his “former life,” he was a fashion photographer for Italian VOGUE and taught chemistry at Milano’s University .

Michelle Frankfurter: Destino

Photo © Michelle Frankfurter- All Rights Reserved

Having read Cormac McCarthy’s, The Crossing, Michelle Frankfurter started to photograph along the US-Mexico border, and focuses her photo essay Destino featured on Burn magazine on undocumented Central American migrants who travel across Mexico in an attempt to reach the United States to work.

It's a sad tale that highlights not only the harsh risks inherent in such an endeavor, be it from criminal gangs, from corrupt police, from accidents to a myriad of other life-endangering events on the way.

A number of photographers attending the Mexico Foundry Photojournalism Workshop chose a similar subject for their documentary projects, and the area known as La Lecheria, where migrants seemed to converge to hitchhike north-bound trains, was a magnet for those photographers.

Michelle Frankfurter is a documentary photographer who worked for three years as a staff photographer for daily newspapers: The Herald – Journal and Post Standard in Syracuse, New York. She spent three years living in Nicaragua where she worked as a stringer for the British news agency, Reuters and with the human rights organization Witness For Peace. In 1995, a long-term project on Haiti earned her two World Press Photo awards. She has worked for a number of editorial publications, including The Guardian of London, The Washington Post Magazine, Ms., Time, and Life Magazine.

Akhtar Soomro: Pakistan

Photo © Akhtar Soomro/Reuters-All Rights Reserved

Full Focus, Reuters photo blog, seems to be regaining its footing amongst the remaining other large image photo blogs, and has recently featured the work of Pakistani photojournalist Akhtar Soomro.

Born in the Lyari neighborhood of Karachi, Pakistan, Akhtar graduated from the Government College of Science and Technology with a degree in engineering but photography beckoned, and he started working for a studio covering fashion, industrial and interior design, and subsequently for an advertising agency.

He has since shot assignments for local and international newspapers, magazines and stock agencies around the world. In 2009, he was part of a New York Times' team that won a Pulitzer for its reporting from Pakistan and Afghanistan.

Most of Akhtar's impressive photographs in the Reuters feature are of refugees of the floods, and of displaced people from the Swat Valley...but it's the one above that caught my eye. Its caption informs us that a flood victim baby sleeps in a hammock as a man reads the Koran during Eid-al-Fitr celebrations while taking refuge in a relief camp for flood victims in Sukkur in Pakistan's Sindh province on September 11, 2010.

Olivier Laban-Mattei: Award Winner Paris Match

Photo © Olivier Laban-Mattei- All Rights Reserved

 Olivier Laban-Mattei was awarded the 2010 Grand Prix Paris Match for his recent coverage of Haiti. This prize was created in 1980 and all French professional photographers can compete. Every two years, the prize is decided by an international jury, with the winner receiving 8,000 euros.The prize recognizes photojournalists who cover current events.

Olivier Laban-Mattei is a photojournalist who worked with AFP for 10 years, and left it a few months ago to start a career as an independent photographer. For the past decade, Olivier criss-crossed the world reporting on the Iraq war, the Haitian earthquake or the Gaza Strip humanitarian disaster.

Olivier's Haiti gallery contains a number of graphic photographs that relay the horror of Haiti's earthquake. I have naturally not seen all of the coverage of the Haiti earthquake, but this is one of the most hard-hitting of those I did see.

Mohamed Hassan: Photojournalist

Photo © Mohamed Hassan- All Rights Reserved

Mohamed Hassan Abd El Aal (Mikko Hassan) lived and worked in Cairo, and graduated from the Akhbar El-Yom Academy with an honor degree in Journalism. He worked as a press photographer in the daily newspaper El-Shorouk El Gedid. Apart from covering political issues, protests and demonstrations, he was interested in documenting the traditional manufacturing processes in Old Cairo. One of these features gleaned him first prize in the 2009 Annual Press Photography Competition of Egypt.

I met Mohamed (aka Mikko) at the Foundry Photojournalism Workshop in Istanbul. He wasn't in my class, but approached me, rather shyly, and expressed his pleasure in seeing that one of the instructors was of Egyptian heritage. He told me that although he had seen my name on the roster of instructors, but had taken it for Lebanese. Mohamed participated in Guy Calaf's class, and had been awarded a scholarship.

I reviewed Mohamed's portfolio which, as he wrote in his biography, had photographs of his explorations in the deepest corners of Old Cairo. He did them during his one day week-ends, on his own time, deriving nothing of it except his own pleasure and self-improvement. I sensed his enthusiasm for photography, saw his talent and his eye for composition, and predicted to him that he'd be one of Egypt's best photojournalists.

It was not to be. His trajectory was very sadly cut short because of a fatal freak accident a few days ago. He will be missed by many.

The Foundry Photojournalism Workshop family reacts: Eric Beecroft, the co-founder of the Foundry Photojournalism Workshop, announced that a permanent full scholarship in Mikko's name will be made available, and his work is featured on the FPW's front page.

Erika Larsen: Lavvos & Reindeer

Photo © Erika Larsen- All Rights Reserved

Erika Larsen is a photographer and film-maker who's recently been doing work in the Scandinavian Arctic with families of Sami reindeer hunters.

She worked as a magazine photographer since 2000 specializing in human-interest stories, cultural issues and the daily life of people connected to the natural world. She's recognized by World Press Photo, American Society of Magazine Editors, Society of Photographers, New Jersey State Council of the Arts and is a Fulbright Scholar.

The Sami peoples are also known as Lapps (although this term is considered as outdated, and often derogative), and are the arctic indigenous people inhabiting parts of far northern Sweden, Norway, Finland and the Kola Peninsula of Russia, but also in the border area between south and middle Sweden and Norway. They traditionally survived by hunting and fishing, and in more recent years, by herding reindeer, which have also become their staple food. Reindeer meat is most commonly eaten fried, or is is often dried for later consumption.Lavvos is the name for the Sami's tents.

Thomas Cristofoletti: Day of the Dead

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Here's a movie made of still photographs by Thomas Cristofoletti on the singular tradition in the Philippines which occurs on the Day of the Dead. The stills were made in Tandag, Surigao del Sur and document the tradition of caring for the tombs on November 1.

Tombs are cleaned up, repainted and spruced up by relatives. Candles are lit and flowers placed. Many families spend a night or two near their loved ones' tombs in remembrance. Card games, eating, drinking, singing and dancing are common activities at the cemeteries during the holiday.

In the Philippines, the day of the dead is known as Araw ng mga Patay; one of the traditions imported from Spain during the country' colonization. Of course, El Dia De los Muertos is a well known tradition in Mexico, as well as in other countries where the Catholic faith is practiced. The observance coincides with All Saints Day and All Souls Day.

Thomas Cristofoletti is a freelance photographer and art director currently based in Madrid, who is a proponent of the decisive moment and of candid photography.

Marc Riboud: Magnificent Traveler

Afghanistan 1955 Photo © Marc Riboud- All Rights Reserved

Annick Cojean, journalist at Monde, says it well about Marc Riboud:

"This man is free. This man is passionate. He's a magnificent traveler which the world continues to amaze. He loves life and intensely photographs it", which underscores what Riboud says of himself: "Rather than a profession, photography has always been a passion for me, a passion closer to obsession."

Born in Lyon, Riboud takes his first photographs in 1937 at the Paris Exposition Universelle with a Vest-Pocket (I never heard of this camera?)**. Having fought in 1944, he studies engineering during the late 40s and works in a factory, but decides to take up photography full time in 1948. He's later on invited to Magnum by Henri Cartier-Bresson and Robert Capa.

In 1955, he travels by road to the Middle East, Afghanistan and finally India where he stays for a year, then on to China. He travels to the Soviet Union, covers the war of independence in Algeria and between 1968-1969 worked in North and South Vietnam.

Marc Riboud published a large number of books, and was awarded many prizes and recognitions from the Overseas Press Club, a Time-Life Achievement award, a Lucie Award and the ICP Infinity Award.

They certainly don't make them like Marc Riboud anymore.

** Gerald Beetham graciously emailed saying that the Kodak Vest-Camera was an older bellows roll film camera smaller than most contemporary cameras (hence the Vest Pocket name). Beginning around 1915, they were manufactured under many different models reaching popularity in the 30's and 40's.